Widely regarded as the pinnacle of Bach’s choral compositions, the Mass in B Minor stands as a testament
to his lifelong mastery.
Maestro Robert Geary leads the San Francisco Choral Society and the Orchestra of Cantata Collective in a powerful and moving performance of this transcendent work. Completed just a year before Bach’s passing, the Mass in B Minor weaves together a lifetime of musical innovation, grandeur, and spiritual depth—offering an experience that is both profound and unforgettable.
Saturday, May 3, 7pm
Sunday, May 4, 4pm
The program will last approximately 2 hours & 20 minutes including one intermission.
The historic
Calvary Presbyterian Church
2515 Fillmore Street at Jackson
San Francisco, CA 94115
Public Transportation: bus routes 3, 10, 22, 24.
PARKING: Street Parking; California Pacific Medical Center Garage on Clay at Webster
"As I've been reviewing the B minor Mass of J S Bach, my jaw has once again been dropping. This music is like no other. The astonishing and I mean ASTONISHING craft of this composer is just breathtaking. It is not easy but there is a lifetime reward for mastering a score like this."
—Maestro Bob Geary
Bach composed the Mass in B minor between 1748 and 1749, a year before his death in 1750.
The Mass in B minor is structured into four parts: Missa, Symbolum Nicenum, Sanctus, and Osanna, Benedictus, Agnus Dei et Dona nobis pacem.
Much of the Mass in B minor is made up of existing music, including the Kyrie and Gloria, which were written in 1733, and the Sanctus, which dates back to 1724.
Bach composed the Mass in B minor as a legacy to show his talents and experience in choral writing and counterpoint.
The Mass in B minor is a complex work with 26 sections, written in a variety of styles and based on different melodic material.
The Mass in B minor is considered one of the most difficult choir works ever written, with a high range and fast notes.
The Mass in B minor is too long to be performed in its entirety in a church service, but it was performed in parts over the years.